Laura Blackwell

2023 Awards Eligibility Post

I’d be honored if you’d consider any of my writing, or the publication I work for, this awards season.

“The First Mrs. Edward Rochester Would Like a Word” in Aseptic and Faintly Sadistic: An Anthology of Hysteria Fiction, ed. Jolie Toomajan (Cosmic Horror Monthly, May 2023). Horror/literary retelling. At 1360 words, eligible in Short Fiction and Short Story categories.

“In My Forest of Inky Night” at Wyldblood Flash, edited by Mark Bilsborough (Wyldblood Press, October 2023). Dark fantasy. At 1030 words, eligible in Short Fiction and Short Story categories.

The Deadlands, ed. E. Catherine Tobler. Speculative fiction, poetry, and nonfiction about death. Eligible in Semi-Pro categories.

Story Hour, cohosted with Daniel Marcus. Speculative short stories read by their authors, every week. Eligible in Hugo Best Fancast category.

Thank you for reading! Reading this post, reading The Deadlands, reading my stories, and just reading in general.

Library reading of "What the Dead Birds Taught Me" is live on YouTube

It feels good when anybody likes one of my stories, but folks, a librarian contacted me out of the blue and asked to read "What the Dead Birds Taught Me" for their library's site. A librarian. I could not dream of higher praise.

The Tigard Public Library in Tigard, Oregon has posted librarian Mila's reading—complete with sound effects and music—to its YouTube channel. Mila's voice is perfect for narrator Mary. This reading sits side by side in my heart with professional narrator Judy Young's reading for Nightmare. TPL produces three spooky story readings every October, and they're all well worth a listen.

"In My Forest of Inky Night" is at Wyldblood!

I’m delighted that Wyldblood has posted my dark fantasy flash fiction story “In My Forest of Inky Night.” It’s at the Wyldblood Flash site, and anyone who subscribes to Wyldblood’s free newsletter will find it already haunting their inbox. Wyldblood posts a story every other Friday to the site and newsletter, and this strange little word-baby is nestled in with some lovely ones.

“In My Forest of Inky Night” was inspired by an elderly relative who I knew a little bit as a child. Clearing out her house as a teenager, and reflecting on that as an adult, made me realize how little I really knew about her. This story is completely fiction, although it touches on some real things. If I did things right and am very lucky, it may even touch on some truths.

"The First Mrs. Edward Rochester Would Like a Word" is in Aseptic and Faintly Sadistic. Upcoming reading!

This week saw the release of Aseptic and Faintly Sadistic: An Anthology of Hysteria Fiction, edited by Jolie Toomajan, to excellent reviews. My Jane Eyre retelling “The First Mrs. Edward Rochester Would Like a Word” found its home here among other pieces of feminist horror. Each story is a different scream of rage, and all together, they make a powerful choir. This anthology raises funds for the Chicago Abortion Fund.

I’m one of six writers who will read an excerpt from a Aseptic and Faintly Sadistic story (in my case, the Bertha Rochester story) this Saturday at 7:00 Eastern Time. To attend the free event and enter a drawing for prizes (the book! stickers! T-shirts!), sign up at Eventbrite. I’d love to have you there!

If you like this kind of news but wish you’d gotten it sooner, you could sign up for my newsletter. Scroll to the bottom of any page on this site to do so. I won’t spam you, pinky promise.

Flights of Foundry appearances April 14-16

Can it be the cruelest month if there’s a convention?

Say, what are you doing April 14-16? Flights of Foundry is a “pay what you can” speculative fiction convention, and as of this writing, registration is still open. I’ll be presenting at four different sessions, so sign up and you can come see me doing all the things!

Please check the schedule for times, because the time of one of the panels might change, and I don’t want to steer you wrong. Also, the times are presented in the highly international UTC-5, which makes my head spin Exorcist-style.

Friday, April 14: Live Demo: Copyediting That Makes Us Our Best

I’m not quite sure how this got on the schedule, but it sounds like we can get the tech going for you to watch me edit a piece of flash in real time. I also have plans to show some of the stuff most people don’t know about novel copyedits until they receive them. The aim is to demystify the process and show how copy editors and writers can help each other shape beautiful word-art…and maybe even our language and society.

Saturday, April 15: Chill-n-Chat

This is your chance to ask me about my writing, Story Hour, The Deadlands, and why I spelled “cruelest” with one L when T.S. Eliot spelled it with two. This is a limited-seating session, and although the lottery is closed, there might still be seats.

Saturday, April 15: How-tos in Podcasting Panel

Jean-Paul Garnier, Gaby Hall, and I talk about narrative podcasting (in my case, video streaming) and what it takes to make it work.

Sunday, April 16: Reading

An hour of me reading my own work aloud! Oooooh, what shall I pick? One of them is set because it’s part of the convention’s scavenger hunt, but there are lots of other choices. If there’s something you’d particularly like to hear me read, drop me a line and let me know!

Hope to see you there!

2022 Awards Eligibility Post

As the year winds down, I reflect on my stories that have been unleashed on an unsuspecting public this year. These are all eligible for some award or other (Hugo, Nebula, Shirley Jackson Award, Bram Stoker Award®), so this is also an awards eligibility post.

 “A Wise and Patient Mother.”  Dark fantasy story in Weirdbook #45, edited by Douglas Draa (Wildside Press, July 2022). Possibly the only cli-fi story from the POV of Grendel’s grandmother. The issue is at Amazon, and this story is available for free to all newsletter subscribers (ping me if you didn’t get your copy).

 “What the Dead Birds Taught Me.”  Horror story in Nightmare #118, edited by Wendy N. Wagner (Adamant Press, July 2022). Art major and secret necromancer, Mary holds as much potential as any college student. Grieving her parents, she accepts help from the wrong man. An angry modern retelling of “Bluebeard.”

 “What Is Lost in the Smoke.”  Horror story in Chiral Mad 5, edited by Michael Bailey (Written Backwards, September 2022). The smoke-eaters reside in the sky, their existence sustained by what is burned. Welcome to fire season.

 “Your Lives of Uncertain Number.”  Fantasy story in CatsCast, edited by Laura Pearlman (Escape Artists, October 2022). Cats may get nine lives, but nobody ever said what forms they take in reincarnation. One of my sweeter stories.

 Story Hour, online reading series co-hosted with Daniel Marcus. Every Wednesday, Daniel and I have two speculative fiction writers read their own fiction—at least one complete story each—on Zoom and Facebook. We’ve heard a wonderful variety of stories read as they were meant to be read. Often I cackle so hard that Zoom reminds me I’m muted, and often I’m moved to tears. Eligible for Best Fancast Hugo Award.

Monthly magazine The Deadlands is now free with subscription, or piecemeal on the website through the month. Thoughtful and beautiful fiction, nonfiction, and poetry. Pays pro rates, award-eligible as semipro.

"Your Lives of Uncertain Number" is at CatsCast in pixel and audio formats

Recently, my story “Your Lives of Uncertain Number” appeared at CatsCast as part of an episode called “Four Stories about…Cats?” It’s the third of the four, so you can scroll down to read it, but! The other stories are great.

If you have the time, I highly recommend the audio version of "Your Lives of Uncertain Number," because narrator Summer Fletcher really got the story. In Summer’s voice, it’s much funnier than I thought. Also, apparently Summer had to stop recording a few times because they were happy-crying at the ending, which is exactly the effect I'd hoped the story would have.

Shirley Jackson Award winners on Story Hour

The 2022 Shirley Jackson Awards bowled me over a little extra because the winners of the Novella, Short Story, Collection, and Anthology categories were all writers who’d appeared on Story Hour. Isabel J. Kim actually read her winning short story “You’ll Understand When You’re a Mom Someday” on Story Hour. Keith Rosson read two stories from his winning collection Folk Songs for Trauma Surgeons on Story Hour as well. My co-host, Daniel Marcus, and I are very lucky to have attracted or persuaded such wonderful writers to read such moving stories on our weekly reading series. Congratulations to all the winners!

The Festival of the Deadlands continues throughout October!

The Deadlands is now free to read, making it possible for everyone to read deathy fiction, poetry, and nonfiction! We’re celebrating with a month-long Festival of the Deadlands, which includes art challenges, costume and coloring contests, one-sentence stories, merch, and more, including my Twitter-based origin myth for The Deadlands.

I love working for The Deadlands, a monthly magazine that addresses the end of life and possible beyonds with dignity and beauty. Join in the festivities, and if you like what we’re doing, please consider tossing us a few pennies or perhaps buying yourself a Ferryman’s Coin or other item. We’d love to keep the gates to The Deadlands open every month of the year, as they are now!

"What Is Lost in the Smoke" arrives in Chiral Mad 5

“What Is Lost in the Smoke” is a very personal story for me, written while California wildfires colored the sky orangey-gray and the air was hard to breathe. I am humbled that Bram Stoker Award®—winning editor Michael Bailey, himself a wildfire survivor, chose “What Is Lost in the Smoke” as one of the stories in his final Chiral Mad anthology, available now in hardcover, paperback, and Kindle editions.

Bailey has been publishing Chiral Mad anthologies since 2012 through his Written Backwards press, and Chiral Mad 5 is its final volume. Earlier volumes have included a number of famous writers and wonderful, award-winning stories. The anthologies themselves have been nominated for an impressive list of awards, including the Bram Stoker Award®, This is Horror award, the International Book Award (winning more than once), and the Shirley Jackson Award. It’s a phenomenal series, and it’s an honor to have a story in it at all.

What really has me sniffling in pride, though, is the table of contents. Most of the stories and poems are new, but readers will know many of the names, such as Linda D. Addison, Gary A. Braunbeck, Vajra Chandrasekera, Langston Hughes (!), Stephen King, John Langan, Victor LaValle, Jessica May Lin, Josh Malerman, Hailey Piper, Lucy A. Snyder, Marge Simon, Sara Tantlinger, Sheree Renée Thomas, and Christa Wojciechowski. And there are more, but the full list is long. Just by the names, I’m honored to have a story keeping such company, and that feeling deepens as I read through the book.

"What the Dead Birds Taught Me" is in Nightmare Magazine

Unless I’m writing a solicited story or a submission call, I rarely have a feel for where a story belongs. I just write the story as I want it to be and see which editors likes it for their publication. “What the Dead Birds Taught Me” is different.

I had been noodling with the idea of Bluebeard’s last wife as a necromancer, and Stephanie M. Wytovich’s “Reclaiming Archetypes in Witch Lit” class helped me lay the foundation for the story. From the first draft, this story felt like a Nightmare story to me, and I am thrilled that Nightmare’s editor-in-chief, Wendy N. Wagner, thought so, too. It’s out in issue #118 now.

Read “What the Dead Birds Taught Me” by subscribing to Nightmare or buying the issue.

Next Steps in Editing panel coming up at Flights of Foundry

I’m moderating the Next Steps in Editing panel at Flights of Foundry on April 9 at 8:00 a.m. PDT. Register for this donation-supported convention to see this marvelous array of panelists—Leah Rambadt, Kate Maruyama, Mia Tsai, and Guest of Honor L.D. Lewis—explaining about what editors do and how best to work with them.

Flights of Foundry is a wonderful online convention with round-the-clock formatting, so there is sure to be something available in your time zone!

2021 Awards Eligibility Post

2021 has a little too much like 2020, but I did some things in speculative fiction that I’m proud of!

It truly would be an honor to be nominated!

Shattering Glass wins the 2021 Anthony Award for Best Anthology or Collection

I’ve known mystery novelist (and now publisher) Kelli Stanley for years, since the days when she and her late mom sold comics at a San Francisco store. More recently, Kelli founded nonprofit publisher Nasty Woman Press with the intent of promoting human rights and civil liberties worldwide. I had the joy and privilege of copyediting NWP’s first mystery/crime anthology, Shattering Glass. Last night, it received the Anthony Award for Best Anthology or Collection at Bouchercon.

This honor gives me hope: It shows that readers and decision-makers are interested in making our world better for all of us. Congratulations to Kelli, editor Heather Graham, and the many contributors who wrote hard-hitting essays, interviews, and fiction for the cause.

Story Hour announcement: Meet your new co-host

I really love live readings. Even online ones are energizing when I can see the people in the audience. In fact, reading for Daniel Marcus’s Zoom reading series Story Hour was so much fun, I’ve joined Story Hour as a co-host. Every Wednesday at 7:00 p.m. PST, Story Hour features readings from two speculative fiction writers and a shoutout to a nonprofit.

Story Hour has been a balm to me, a way of coming together to share stories while sheltering in place keeps us apart. Since the readings are recorded on Facebook Live, they’re also available to watch later; there’s no such thing as missing a reading. We’re are also looking for authors to read, so speculative fiction authors are encouraged to reach out at the Story Hour website. Join us in what Daniel calls “spinning the fictive dream.”

Online reading with Story Hour

On Day 491, Year 13 of Sheltrinplace (aka May 27, 2020), I’ll appear on Story Hour with Rick Wilber. We’re both going to read from our speculative fiction. I have two short stories—one snarky but possibly cathartic, and one kindly—to read. Story Hour appears on Wednesdays at 7:00 PST (10:00 EST) and is free to watch on Zoom or Facebook Live.

Come watch and listen! I miss the energy of in-person live readings, but there is something special about having people from all over be able to drop in.

New story announcement and awards eligibility post twofer!

My horror story “His Love Like a Flood” is out now in The Big Book of Blasphemy. This book, edited by Regina Garza Mitchell and David G. Barnett, is from hardcore horror publisher Necro Publications, and I say with confidence that my tale of an extremely complicated delivery at a rural hospital is the tamest one in the book.

“His Love Like a Flood” is 4100 words long. It is eligible for the Bram Stoker Award® and the Shirley Jackson Award in their respective Short Fiction categories.

Thank you for your consideration.

October Appearances in San Francisco

I’m excited to be speaking/reading in San Francisco twice in October, once at Lit Crawl and once at Literary Speakeasy! Both events are free.

Lit Crawl has packed Saturday, October 19 full of readings! I’ll be at the San Francisco Buddhist Center at 8:00 p.m., reading on the topic of Other Worlds. This is a new venue for me, and I’m eager to hear the other readers: R. Krishna Chaganti, Tony Acarasiddhi Press, Mary Salome, Mary Wagner, and Matthew Keuter.

Literary Speakeasy, always a good time, gets spooky at Martuni’s at 7:00 p.m. on Thursday, October 24. Come to Literary Speakeasy’s Martini Bar of Horrors! and hear seven speakers telling ghost stories. I’m in a fantastic lineup that includes the droll Chaz Brenchley, the glorious Meg Elison, Vernon Keeve III, Ginger Murray, cemetery expert Loren Rhoads, and Jean Znidarsic. We’re telling real-life ghost stories, so prepare for some scares!

My Surprising Experience with #PlasticFreeJuly

When I started my #PlasticFreeJuly, I was shocked at how much single-use plastic had insinuated itself into my life. It was wrapped around practically everything. But when I looked for alternatives, I found many surprisingly easy to come across.

I documented my plastic-free month on my Twitter account, @pronouncedlaura. Not every bit of single-use plastic could be replaced, but there were plastic-free packaging alternatives for foodstuffs, cleaning supplies, shampoo…pretty much everything but medicines. In many cases, the “replacements” were more pleasing. I plan to stick with milk in glass bottles, for instance, and pick up the artisan bread in paper every chance I get.

One thing I enjoyed about #PlasticFreeJuly was the way it made me look outside my routine. How had I kept walking past that pastry case? Why didn’t I just carry a few reusable utensils in a pouch? Had soba noodles and those excellent peanut-butter malted milk balls always been right there in the bulk bins? Why had I been picking up meat at the grocery store when the local butcher was just as easy to reach, and rather nicer? Wasn’t it neat that the local ice cream shop didn’t have to shrink-wrap its hand-packed pints?

There were a few other positive side effects. By using less packaging, we created less waste, putting out less recycling and less garbage (also a savings in plastic, since our garbage utility requires plastic bags). Once candy started coming home in one of my reusable bags, I realized I could wash a beautiful glass canister that had been languishing in a cabinet and have a proper candy jar instead of a manufacturer’s bag. And I enjoyed the encouragement and ideas from others trying a #PlasticFreeJuly.

Where I Failed

I made a few choices that ended up in single-use plastics. When a smiling relative showed up with bubble tea, I didn’t turn them away. When a friend had a death in the family, I knew they’d need help with dinner and that I didn’t have time to cook them a meal. I got them takeout and didn’t think to ask about the plastics. When I ordered some clothes online, and every single item arrived in a plastic bag. I should have tried the thrift store first.

There were things I couldn’t avoid buying, notably medicines, that come in nothing but plastic. Most of the bottles are at least theoretically recyclable, but when they’re not…? I still need eyedrops and ibuprofen. Ever since the 1982 Tylenol murders, the U.S. has put a lot of safety seals on medicines and foods. Safety is good! I am a fan! I just wonder if there are better ways to do this, and I can’t do them alone.

Where We Can Do Better

We need research, both by companies and by independent researchers, to find out how to make what plastics we do need more sustainable. Maybe compostable, plant-based plastics could be loosely timed to the expiration date of the medicines, for instance. It doesn’t make sense that the packaging will outlive the product by a few centuries.

We need cleaner, more efficient transportation for goods. It didn’t escape my notice that most of the foods in glass were local. Glass is heavier than plastic, so it only makes sense that a company that’s trying to go national will switch to a lighter packing material to save on shipping costs. Cleaner, more efficient transportation would certainly take research, but I don’t think we’ll see a lot on that in the U.S. without regulations.

More regulation in general would be a good thing. Sometimes I couldn’t get away from a product in plastic, because there just wasn’t an alternative. So we need to let companies know what we’d rather buy. We need to let our electeds know, from the town hall to Congress, that this is important to us. And we may have to work at it with them at more places than just point-of-sale.

Where I Stand Now

Going (almost) without single-use plastics for a month wasn’t very hard for me. I enjoyed the way it made me notice the single-use plastics and the fact that I almost always found a workaround. That said, I’m fortunate in good health, transportation access, kitchen and storage space, adequate income, a flexible schedule, and a long growing season for food. For someone who has health needs requiring medicines or aids in plastic, or is sharing a small kitchen with three roommates, or doesn’t have the time and flexibility—let alone the money—to shop around, reducing plastic gets much more difficult.

I’m going to keep on doing what I can, but I think it’s important to work past our mistakes instead of beating ourselves up for them. I don’t regret getting food for grieving friends. Now I know I should keep an emergency casserole in the freezer, that’s all. I’m not going to pick on somebody who doesn’t have the wherewithal to make their own yogurt, and it’s not up to me to police who can do what. We need to make it easier for everybody to use less single-use plastic, and to make the single-use plastics we need safer for the environment.

Green goods shouldn’t be luxury goods. A life with fewer single-use plastics needs to be available to everyone.

2019 Nebula Conference

I’m headed to Los Angeles for the Nebula Conference May 16-19! Nebula Award nominee Alix E. Harrow (nominated for short story “A Witch’s Guide to Escape: Practical Compendium of Portal Fantasies”) has asked me to represent her at the awards events. If you see me at those, just picture someone more eloquent, gracious, and delightful in my place!

The awards aren’t the only reason I’ll be there. I’m going to pull a volunteer shift at registration, and I plan to attend several panels and talks. That said, meeting other writers and editors is a lot of the fun. I’ll be available to chat whenever I’m not occupied. I hope to see you at the Nebulas!